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CHRIS O’DELL WASN’T FAMOUS. SHE WASN’T EVEN ALMOST FAMOUS. BUT SHE WAS THERE.
* She was in the studio when the Beatles recorded The White Album, Abbey Road, and Let It Be, and she sang in the “Hey Jude” chorus.
* She lived with George Harrison and Pattie Boyd and unwittingly got involved in Pattie’s famous love story with Eric Clapton.
* She’s the subject of Leon Russell’s “Pisces Apple Lady.”
* She worked for the Rolling Stones on their infamous 1972 tour and did a drug run for Keith Richards.
* She’s “the woman down the hall” in Joni Mitchell’s song “Coyote,” the “mystery woman” pictured on the Stones album Exile on Main Street, and the “Miss O’Dell” of George Harrison’s song.
The remarkable, intimate story of an ordinary woman who lived the dream of millions—to be part of rock royalty’s inner circle—Miss O’Dell is a backstage pass to some of the most momentous events in rock history.
- Sales Rank: #750331 in Books
- Published on: 2010-07-06
- Released on: 2010-07-06
- Original language: English
- Number of items: 1
- Dimensions: 9.06" h x 1.20" w x 5.87" l, 1.01 pounds
- Binding: Paperback
- 416 pages
- ISBN13: 9781416590941
- Condition: Used - Very Good
- Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
Ever wonder what was really going on in the studio when the Beatles recorded the White Album? Chris O'Dell offers these entertaining vignettes of her backstage experiences with the boys in the bands—Mick Jagger, Bob Dylan, and Eric Clapton—for whom she was variously muse, lover, typist, confidante, and, on one occasion, drug runner. O'Dell pops up with Zelig-like ubiquity in pop music's most iconic moments, and the book is a gossip gold mine—but it's also a deeply felt account of living a full life, with all its concomitant regrets. Renee Raudman delivers a stunning wallop of a recording that captures the essence of the stories with easy glamour and raw emotion. A Touchstone hardcover. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
“If there were such a thing as a female Forrest Gump of rock ‘n’ roll, Chris O’Dell would be it.” --High Times
"One of the most rollicking and enjoyable classic rock memoirs of recent years…don’t mistakenly file this book under Groupie Lit." --Houston Press
“Nick Carraway to classic rock’s Gatsbys…brisk and excellent.” --The New York Times Book Review
About the Author
From 1968 to 1984, Chris O'Dell worked in the music world as an assistant and tour manager for the most influential musicians of that era. She has appeared on television, radio, and print media relating to her stories of her years with The Beatles and The Stones. She appears in a number of books written about the various groups she worked for including I, Me Mine by George Harrison; Rolling Thunder Logbook by Sam Shepard; Wonderful Tonight by Patti Boyd, and Clapton by Eric Clapton. Currently, she is a Licensed Professional Counselor and Licensed Substance Abuse Counselor. She has a twenty-two year old son and lives in Tucson, Arizona.
Katherine Ketcham is the coauthor of 13 books, including the New York Times bestseller Broken: My Story of Addiction and Redemption by William Moyers and the bestselling classics Under the Influence with James Milam and The Spirituality of Imperfection with Ernest Kurtz. More than 1.4 million copies of her books are in print, and her books have been translated into 13 languages. She has three adult children and lives in Walla Walla, Washington with her husband.
Most helpful customer reviews
45 of 49 people found the following review helpful.
A rock 'n' roll memoir with heart
By Patricia Romanowski Bashe
Given all the rock memoirs that have emerged over the past twenty years or so, it's hard to pick up another without thinking wearily, "Now what?" After all, Chris O'Dell was not a star herself, but a friend, employee, helper, and lover of a few you might have heard of. It's easy to be cynical, but I fell in love with this twenty pages in. Guilelessly, like Alice down the rabbit hole, Miss O'Dell stumbled upon a life even she could not have dreamed. Looking back, she paints a living portrait of the Beatles, the Stones, her friend Patti Boyd Harrison Clapton, and many others. At the same time, however, she manages to tell an engaging tale of sex, drugs, and rock 'n' roll with a loving, caring eye and a warm, forgiving heart. After all, she reminds us, even the highest (literally or figuratively) among them had also stumbled onto that 60s Mount Olympus unprepared for what fame, money, and position could do for--or against--friendship, love, artistry, and happiness. An unusually insightful and loving account of an amazing time.
23 of 25 people found the following review helpful.
This delicious page turner will not disappoint!
By Photogirl
This book, once picked up, is difficult to put down. I have read almost every book on the Beatles, and there were first hand accounts of stories just hinted in other books. Great insights into the Beatles and the women in their lives, and the goings on at Apple. Interesting accounts of how musicians feel about their peers. There were loads of surprises too.
Miss O'Dell's voice is instantly likable. her honest and wide-eyed approach is refreshing. She is practically sitting on the couch with you telling you about all her mostly wonderful adventures. I simply did not want the book to end. I hope there are more stories she hasn't shared yet......Can I pre-order her next one?
26 of 30 people found the following review helpful.
Days of Whine and Doses
By Daffy Du
I'm not usually a devotee of tell-all celebrity exposes. But because "Miss O'Dell" reportedly was pulling back the curtain on the stars who made the music of my era, I was intrigued. As an adolescent, I read every issue of 16 magazine and Tiger Beat for a few years, and I was and remain a huge fan of the Beatles. So this book potentially fell into the "guilty pleasures" category.
Initially it didn't disappoint. Parts of it, particularly early on, were really interesting, especially about her time with Apple. But the problem with "Miss O'Dell" is that it reads a bit too much like an extended teen fanzine, only unsanitized for an older audience, with all the sex, drugs, booze and dysfunction intact along with the rock and roll. That's okay, as far as it went--it wasn't billed as a work of music history. But I'm not a teenager anymore, and after the first 100 pages or so, it largely devolved into tedious variants of the same story over and over again, with well-known song lyrics coyly (and cloyingly) woven into the narrative. Although it could have been a kind of coming-of-age story, set during a time of tremendous social upheaval and featuring some of the most famous people of a generation, I started to wonder why Chris O'Dell wasn't learning and growing as a person, which is what propels all good character-driven stories, fact or fiction. She mentioned several times having deep conversations with George Harrison, yet if this book is any indication, she seemed incapable of depth or introspection herself. Instead, her life reads like Garp reworked for Tiger Beat--a not very interesting person who drifted through a life of reflected glory that brought her into contact with some of the most iconic figures of a generation. Underneath the affairs and friendships lurked a perpetual adolescent, a resolutely shallow woman whose only interest seemed to be getting drunk or high, having sex, hanging out with the in crowd and searching for Mr. Right.
Another problem with the book is one of context--as in there was none. On a societal level, there was a sea change taking place, which was strongly influencing the music of the era, but she seemed to have been oblivious to it, other than a passing mention of staying in the Watergate Hotel and noting that it had played a key role in bringing down a presidency. What about Vietnam and the antiwar protests? Kent State? The Civil Rights movement? The women's movement? Our generation's spiritual quest? While she spent much of her time in England, she also lived in the U.S. for extended periods, and those events shaped our generation. Was she just so drunk or stoned all the time that they didn't register at all? She claims to have been one of the only female tour managers, but why was that significant? Had the women's movement not started opening doors for women yet, or had it made her position possible?
Another reviewer noted that O'Dell doesn't even address John Lennon's murder. She describes him as a friend, albeit an arm's-length friend, yet although his killing rocked our generation, she only alludes to it in an afterword where she gives a "where are they now?" summary. All of this seems of a piece. The book manages to remain superficial and narcissistic throughout most of its 380+ pages, never really inviting emotional involvement with anyone (least of all O'Dell herself), and I don't know if that's because that's who she really was or if it's because she worked with a ghost writer who didn't think to probe deeper or because her editor didn't think it was necessary to bring any context into the narrative.
I'm glad that Chris O'Dell managed to pull herself out of her cycle of drug and alcohol addiction and has built a new, meaningful life for herself (which she described in the last three pages or so). It was pretty clear that it was either that or die. But it still amazes me that she could have had the remarkable experiences she describes without gaining any more insight into herself or her friends. That's why in the end, "Miss O'Dell" was unsatisfying, and finishing it was something of a chore.
Read it for voyeuristic pleasures about the rich and famous, if you want, but don't expect the kind of insight that would have made it truly compelling. Three stars only because of the early pages, which were interesting.
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