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Do the Movies Have a Future?, by David Denby
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The New Yorker critic, one of our most important film writers draws from a selection of his published pieces over a dozen years to examine the art, business, and future of what used to be America’s primary popular entertainment and is now an endangered species.
In the second decade of the twenty-first century, the movies, once America’s primary popular art form, have become an endangered species. Do the Movies Have a Future? is a rousing and witty call to arms. In these sharp and engaging essays and reviews, New Yorker movie critic David Denby weighs in on “conglomerate aesthetics,” as embodied in the frenzied, weightless action spectacles that dominate the world’s attention, and “platform agnosticism,” the notion that movies can be watched on smaller and smaller screens: laptops, tablets, even phones. At the same time, Denby reaffirms that movies are our national theater, and in this exhilarating book he celebrates such central big movies as Avatar and The Social Network as well as small but resonant triumphs like There Will Be Blood and The Tree of Life.
Denby joyously celebrates what remains of the shared culture in romantic comedy, high school movies, and chick flicks; he assesses the expressive triumphs and failures of auteurs Quentin Tarantino, the Coen brothers, Pedro Almodóvar, and David Fincher. Refusing nostalgia, he mines the past for strength, examining the changing nature of stardom and the careers of Joan Crawford, Otto Preminger, and Victor Fleming, and the continuing self-invention of Clint Eastwood. And he recreates the excitement of reading two critics who embodied the film culture of their times, James Agee and Pauline Kael.
Wry, passionate, and incisive, Do the Movies Have a Future? is both a feast of good writing and a challenge to fight back. It is an essential guide for movie lovers looking for ammunition and hope.
- Sales Rank: #1625276 in Books
- Published on: 2012-10-02
- Released on: 2012-10-02
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.20" w x 6.25" l, 1.23 pounds
- Binding: Hardcover
- 368 pages
From Booklist
Rhetorical questions such as the title of New Yorker movie critic Denby’s new collection always seem ripe for silly answers. But although Denby learned some jazzy stylistic chops from Pauline Kael, whom he recalls and mildly assesses late in this book, he isn’t a silly writer. He argues that American film studios’ fixation on presold blockbuster fantasy flicks based on comic books are making it harder to make adult dramatic films of any scale and for such films, even modestly scaled ones, to reach mass audiences. It’s a plausible fear, but this isn’t a book-length thesis. It’s a compilation of critiques corralled into sections on trends, indie films, stars, genres, directors, and critics. Denby writes a good journalistic style that engages and entertains regardless of whether it persuades anyone of the quality of the particular films discussed. Those date from 1999 to 2011 and are all American, as Denby warns us up front they will be. At least a newer foreign film is mentioned now and then in passing. --Ray Olson
Review
“A must for movie lovers” (Kirkus Reviews)
“David Denby’s work is learned, wry, quietly passionate, utterly absorbing and unfailingly intelligent – criticism as it is meant to be done and these days rarely is. Some of his pieces will, I think, stand as definitive for years to come. If movies have a future – and I think they do – it will be thanks in part to critics of Denby’s rare and demanding sensibility.” (Richard Schickel, film critic, author of Conversations with Scorsese)
“New Yorker film critic Denby’s fascinating collection of essays on the business, the art, and the sacred rituals of movie making and movie watching explores what part film plays in our collective consciousness, particularly in this new digital age.” (Publishers Weekly)
“This collection shows a superb critic at his best – thoughtful, probing, his breadth of cinematic knowledge gracefully dispensed. Crucial to me is how Denby constantly makes us aware of the context of movies – how the present plays off the past, and the ways in which it comes up short. Voicing the passion of many, this is a cri de coeur for what has increasingly become an oxymoron, Hollywood entertainment for adults.” (Molly Haskell, film critic, author of Frankly, My Dear)
“Throughout his essays, he builds a convincing case for his contention that ‘a healthy movie scene can’t exist without critics’… Recommended for informed film buffs.” (Library Journal)
About the Author
David Denby has been film critic and staff writer at The New Yorker since 1998; prior to that he was film critic of New York magazine. His reviews and essays have also appeared in The New Republic, The Atlantic, and The New York Review of Books. He lives in New York City.
Most helpful customer reviews
5 of 5 people found the following review helpful.
The State of the Art
By The Bibliophile
David Denby probably ranks as my favorite critic writing about movies these days, so I guess I shouldn't be too surprised that this book reads like a perfect reflection of my own thoughts on the past 15 or so years of American cinema. Denby isn't the breeziest or snarkiest of film critics. He's better: he's a thoughtful one, clearly passionate about the idea that movies actually matter, in people's lives and in our culture. Denby deftly explicates why film after film either works or doesn't, charting out the evolution of American cinema in recent years as the art form has been hollowed out by business interests and advances in filmmaking technology on a level unprecedented in the medium's history. In some ways it's a call-to-arms kind of book, and it gracefully manages to be both cautionary and celebratory. I hope its observations don't go completely unheeded, because if they do, we'll all be the poorer for it. Thanks for writing this book, Mr. Denby.
0 of 0 people found the following review helpful.
Splendidly Written and Both Quite Entertaining and Informative
By J. William Urschel
I have already highly recommended this book to several friends who are movie enthusiasts. I must admit that my inital reaction was more than a bit over the top enthusiastic, based upon the book's introduction, because the author quickly presented a great summary of the current state of the industry, the technology, and the audience, as well as the decades of growth (really regression) leading up to the present. And of course, what the author
accomplished, from my perspective, was to encapsulate both the "facts" and the spirit of what has happened, and what IS happening to the movies - a point of view just absolutely parallel to my own, but stated so knowledgeably and elequantly!
At this point, according to my Kindle statistic, I am 67% of the way through the book. And now, I feel there are times that the author goes on too long about certain stars or directors (most of the book is drawn from prior appearances in the New Yorker Magazine, where what appears by anyone is typically overwritten and just toooooooo long!), typically when my viewpoint diverges from his, which it often does. I admit to being appalled by his vaunted view of some who I have held in contempt for some time. But even here when I disagree the most, he has maintained my attention and interest. And for the most part, I must say that I am in agreement with him, and also certainly enlightened.
Of all the texts on movies which I have read in the last five years, this one is at the top of my list and recommendation!
0 of 0 people found the following review helpful.
Goes beyond reviews
By Timothy Jackson
Denby is a wonderful writer of film but he does something more here. The opening essay provides some great perspective on the current need for good film criticism beyond mere reviews. Two ideas are introduced; film is either too complex these days for thumbs up/thumbs down reviewing or secondly, too commercially compromised by corporate marketing formulas and genre writing. Writers need to encourage a broader perspective for a renewed and vital film culture. I think that's what the book does well.
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