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A rare and powerful story of hope, love, survival, and the struggle to bring back alive a hostage in Iraq
Micah Garen and Marie-Helene Carleton were journalists and filmmakers working in Iraq on a documentary about the looting of the country's legendary archaeological sites, with their Iraqi translator Amir Doshi. In the late summer of 2004, they began to wrap up their work, and Marie-Helene returned home while Micah remained for a final two weeks of filming. As Micah and Amir were filming in a Nasiriyah market, something went horribly wrong: Micah, who wore a bushy mustache and was dressed in Iraqi clothing, was unmasked as a foreigner and kidnapped by militants in southern Iraq.
Home in New York, Marie-Helene awoke to a gut-wrenching phone call from Micah's mother with word of his abduction. She promised Micah's mother the impossible--that together they would bring Micah back alive.
"American Hostage" is the remarkable memoir of Micah Garen's harrowing abduction and survival in captivity, as well as the heroic and successful struggle of Marie-Helene; Micah's sister, Eva; along with family and friends to win Micah's and Amir's release from their captors. The world watched and waited as Micah's drama unfolded, but the authors, now safely home and engaged to be married, detail the dramatic untold story.
After learning of Micah's abduction, Marie-Helene took a risky and unusual step: instead of relying on the authorities to rescue Micah, she used her recent experience in Iraq to construct a massive grassroots effort to reach out to Micah's captors and plead for his release. As fighting between Coalition forces and the Mahdi Army raged in Najaf, Micah and Amir became pawns in a terrible political game. The kidnappers released a video threatening to kill Micah unless the United States withdrew from Najaf within forty-eight hours. In response, Marie-Helene's and Micah's families redoubled their efforts, eventually sending a representative to Nasiriyah to lobby for Micah.
While Marie-Helene worked on his release, Micah, imprisoned alongside Amir under armed guard deep in the marshes of southern Iraq, lived the nightmare of a hostagehaunted by the alternating impulses of hope and despair, his desire for survival and plans of escape. His experience reveals a great deal about the lives and minds of militants in southern Iraq.
"American Hostage" is an engrossing and rare story of how hope, love, and communal effort can overcome war, distance, and cultural differences in Iraq.
- Sales Rank: #3409635 in Books
- Brand: Brand: Simon Schuster
- Published on: 2007-11-09
- Released on: 2007-11-09
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .80" w x 6.00" l, .90 pounds
- Binding: Paperback
- 288 pages
- Used Book in Good Condition
From Publishers Weekly
Starred Review. Moving and suspenseful, this account of a journalist's ordeal as a captive in Iraq recounts the machinations behind a delicate hostage situation. Documentary filmmakers Garen and Carleton went to Iraq in 2003 to investigate reports of looting at archeological sites. Near the end of their project, Carleton returned to New York City, leaving Garen to complete the final stages of filming in the southern city of Nasiriyah. Everything seemed to be wrapping up smoothly until, two days before his scheduled return to America, Garen was identified as a foreigner in a crowded marketplace, and he and his Iraqi translator were kidnapped by a local Shi'ite group. Garen's first-person account of their time in captivity alternates chapters with Carleton's story of how friends and family rallied at home and abroad to jump-start a rescue effort, even before the FBI got on the case. Carleton details the effort's minute-by-minute reversals and its many risky decisions in crisp, straightforward prose that will soon have readers commiserating with her highs and lows. For his part, Garen recalls his fear, anger and confusion with clarity and immediacy, never demonizing his captors yet never condoning their acts. One of the book's great pleasures is the description of his friendship with his translator, Amir, an educated, secular Muslim. Even readers who followed the story in the newspapers will find much that is new since so many of the crucial negotiations happened off the front page. And with a romantic subplot humming through the tension, this story is made for the silver screen.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
"Gripping... Their story remains extraordinarily compelling. An incredible tale told with intensity."
"-- Kirkus" (starred review)
"An astonishing read. What unfolds from the terrifying drama of Micah Garen's kidnapping by Iraqi militants is a complete surprise: a moving, sympathetic portrait of Iraq and its people struggling against the chaos unleashed by the American liberation.American Hostage explores some of the darkest terrain in the human condition and emerges with hope still beating."
--Evan Wright, author of "Generation Kill"
"In this chilling tale of Micah Garen's captivity and his loved ones' fight for his release lies a simple but eternal truth: love can--and will--push through all that hate just as surely as blades of grass through a sidewalk."
--Deborah Copaken Kogan, author of "Shutterbabe"
From the Inside Flap
"An astonishing read. What unfolds from the terrifying drama of Micah Garen’s kidnapping by Iraqi militants is a complete surprise: a moving, sympathetic portrait of Iraq and its people struggling against the chaos unleashed by the American liberation. American Hostage explores some of the darkest terrain in the human condition and emerges with hope still beating." -- Evan Wright, author of Generation Kill
Most helpful customer reviews
6 of 6 people found the following review helpful.
A Suspense Thriller, Romance, and Journalistic Account of the Iraqi War
By Grady Harp
AMERICAN HOSTAGE is a difficult book to classify. Though the cover calls it 'a memoir of a journalist kidnapped in Iraq and the remarkable battle to win his release', that is only the tip of the pyramid in this book that is not only beautifully written, but also weaves a story of intense intrigue, some fascinating inside information about the people of Iraq, the obstacles of living in a land at war, the tenderness not only between a fine journalist and his lover but also between the journalist and his translator/friend. There is more to learn from this highly entertaining book than could be expected.
Micah Garen, an American journalist covering the looting of the ancient ruins of Iraq with his partner/lover Marie-Helene Carleton, was kidnapped with his translator Amir on August 13th, 2004. Garen relates the issues leading up to the kidnapping, and the daily hardships and terrors while under guard with his good friend Amir, until their release August 22nd, 2004 - nine days and nights filled with despair, terror, suffering, political manipulation, yet with the indomitable human spirit that allowed them to survive. During the time Garen and Amir were in captivity, Carleton did amazingly courageous acts of spirit and fact from her home in New York to guarantee that the two men would survive and be released. That story is important enough and intensely interestingly enough to make the book work.
But the joy of reading AMERICAN HOSTAGE is in part due to the diary-like mode of writing: Garen makes entries like a diary listed by day and Carleton mirrors those entries with her won responses from New York. In addition to unfolding the terror of the kidnapping, Garen gives diversions of background of the life of a journalist, his important successes in reporting the looting of antiquities, the responses of the people on all sides of the festering carbuncle that is the situation in Iraq, allowing us full range of exposure to all sides of the matter. This is not only excellent journalism: this is information we rarely encounter in the media.
The clear writing style and the clever manner of relating this important event are accompanied by photographs of the 'cast' of characters - an aspect that for this reader lowers the quality of the overall impact. It is fine to see the handsome couple on the cover jacket, but reducing the images included in the text to snapshots of Sumerian bricks, 'hijab' garb, 'keffiyeh' and 'dishdasha' costume elements, the blindfold worn during captivity, palm frond spikes, etc. makes an otherwise intensely interesting novel-like memoir appear like a simple scrapbook. But that is a small complaint for a book as well written and as fascinating as this. Recommended for all those who want a better idea of how the situation in Iraq is progressing. Grady Harp, June 06
8 of 8 people found the following review helpful.
Bravery and Warmth
By Circa Trade
I won't give away the ending (hint: it's co-authored by captee Micah and freedom-fighter Marie-Helene), but will say that that American Hostage - which chronicles Micah Garen's capture and captivity last year in southern Iraq, and his fiancée Marie-Helene's New York City based efforts to free him - is an amazing tale well-told by a winning and resourceful pair.
Working utterly independently from one another (Micah was in a palm enclosure in southern Iraqi marshes and Marie-Helene in NYC), they still mirror one another's ethos and energy. As Micah practices yoga to steady nerves (and baffle his guards) and cagily grills another guard about local soccer to gage location, Marie Helene and friends establish a remarkable network of well-connected souls (politically and strategically) and set more wheels in motion via their grassroots efforts (and wall-mounted Sheik Sheet) than the FBI can fathom, or match.
There's an unbelievable lack of bravado or ego to both of their tellings.
And they describe Iraq - their time there, their friends and experiences - with such compassion and understanding, that the beleaguered country emerges almost as another character in the narrative. Their Iraqi translator, Nietzsche-enthusiast, friend and co-captive, Amir, is the wise, steady and winning third character. And dog Zeugma the fourth.
The couple come across as the pair most likely to succeed, and shine, and make friends in compromising and dismal of circumstances. You'd want them on your side, Amir along, and dog Zeugma at your feet.
Would recommend for all the narrative threads that weave through American Hostage:
The looting of Iraq's Sumerian heritage - the reason Micah (and Marie Helene) are in the country, reporting.
The nuanced portrait of America's role on the ground in Iraq.
The love story that manages to blossom in the unforgiving and unlikely terrain of Micah's captivity.
The complexity of politics and allegiances on the ground in modern-day Iraq - evidenced by the kidnapping itself and by the astoundingly complex network that Marie Helene establishes to secure Micah's release.
A story told by thoughtful and evocative narrators who just happen to be its stars.
4 of 4 people found the following review helpful.
A moving account of one hostage's ordeal and the incredible effort to win his release
By Daniel Jolley
Back in 2004, the sight of innocent civilians, including journalists, kidnapped in Iraq became all too common. We saw the horrifying pictures of helpless individuals surrounded by brutal men too cowardly to even show their faces, heard the kidnappers' ridiculous demands, prayed for the victims and their families, and felt a deep sense of outrage and anger at the barbarism of the terrorists. Our hearts went out to those involved, yet the personal reality of such a nightmare situation never really touched us - certainly not in the way it did the victims and their families back home. I pictured grieving families coming together to wait out the ordeal, unable to do anything but hope and pray. The family and friends - and colleagues - of Micah Garen, however, were anything but paralyzed, and that is what makes his story so fascinating. Alongside Garen's experience in captivity, we also have a rundown of the tireless, far-reaching efforts of a small army of supporters, led by his fiance Marie-Helene Carleton.
Both Garen and Carleton had gone to Iraq to shoot a documentary about the widespread looting taking place there, at some of the most significant archaeological sites in the world. Both authors share their experiences in this regard, and it is an important subject - important enough for both of them to risk their lives to document it - but I really don't have enough space to discuss it here. Carleton returned home, but Garen chose to stay two more weeks in order to film the new city guards that were set to begin protecting the site at Umma. Their months-long stay overlapped with the transfer of power to Iraqi authority in mid-2004, which turned out to be a most dangerous time, as fighting broke out between Shiite cleric Muqtada al-Sadr's Mahdi Army and coalition forces. On August 13, Garen and Amir Doshi, his friend and translator, traveled to Nasiriyah, where they were kidnapped from the market place and taken to the office of al-Sadr. From there, they were taken to a remote location in the marshes, their new home a small enclosure surrounded by a wall of date palm fronds jammed down into the earth. This certainly didn't fit my mental image of a hostage cell, but it gave them only the smallest glimmer of hope that they might be able to escape. Garen takes us through the daily routine that soon developed, the conversations he and Amir had with different guards (with different ones seemingly having different agendas), and brings home both the emotional and physical toll their captivity took on both men. All of the doubts, fears, internal debates, and fleeting senses of hopefulness are vividly detailed, giving one at least a sense of what Garen's ordeal must have been like.
Marie-Helene Carleton's story is, in some ways, more gripping and emotional than Garen's. While he at least had a minute-to-minute sense of what was going on, his family and friends started out with nothing more than the nightmarish report of his kidnapping. They had no idea if he was alive or dead, where he might be, or who might be holding him - and the question of the kidnappers' identity was of the utmost importance. It could be a group connected to al-Sadr, looters with a grudge against Garen's journalistic work in Iraq, common criminals, or al Qaeda. If Garen ended up in Zarqawi's hands, there was almost no chance of his coming home alive. Upon learning the horrifying news, Carleton immediately began working for his release. Along with the obligatory calls to government officials, she began reaching out to her own network of contacts both inside and outside of Iraq itself. Within hours, a small army of family and friends were hard at work, contacting anyone who might be able to help and fending off media inquiries left and right. Since they did not know who had taken Garen, they held off going to the media - under some scenarios, a personal plea from the family could be of great help, but in others it could contribute to Garen's death. Their fellow journalists, however, came to their aid in spades, with everyone contacting anyone they thought could help. Their greatest hope was that they could somehow get al-Sadr to release a statement calling for the hostages' release, but al-Sadr was pinned down at the shrine of Imam Ali in Najaf at that time. The story of all of this behind-the-scenes work is fascinating and rather amazing, and there's even a twist at the end.
There are additional aspects to this story that I haven't even mentioned. The different goals of the men who held Garen and Doshi in captivity is perhaps the most striking - and revealing as to the nature of this turbulent time in Iraqi history. These men could be cruel, but they were a far cry from the brutal savages I would have assumed them to be. I should also note that there's really no political subtext to be found in this story, nor are there any claims of heroism. Garen, Carleton, and their loved ones truly come across as wonderful human beings, and the story is told in such a way that you feel as if you are witnessing all of these events and emotions first-hand. This is an informative, well-written, emotionally compelling read - and, best of all, it has a happy ending.
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