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The Bodies Left Behind: A Novel, by Jeffery Deaver
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Jeffery Deaver’s New York Times bestseller, The Bodies Left Behind , is now available from Encore and will coincide with the hardcover and audio of Deaver’s latest thriller, Edge .
A call to the police from a vacation house on the isolated Lake Mondac is cut short. Was it a phone glitch or something worse? Off-duty police deputy Brynn McKenzie leaves her family at the dinner table to investigate—and walks right into a nightmare when she stumbles upon the scene of an atrocious, gruesome murder. Brynn realizes that the perpetrator hasn’t left the crime scene yet, but it’s already too late to call for backup—dense woods surround the house, and there is nowhere for her to run but into the hostile Wisconsin wilderness. Will Brynn be his next victim?
Deaver’s trademark plot twists and ticking bomb suspense tactics leaves listeners wanting more, and the real-time chronology of The Bodies Left Behind makes it an intense, fast-paced, and visceral experience that will shock listeners until the very last moment.
- Sales Rank: #1316626 in Books
- Published on: 2008-11-11
- Released on: 2008-11-11
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.16" w x 6.12" l, 1.23 pounds
- Binding: Hardcover
- 368 pages
Amazon.com Review
Amazon Best of the Month, November 2008: Nothing is as it seems in The Bodies Left Behind, Jeffrey Deaver's quintessential can't-put-it-down thriller about an off-duty cop who investigates an aborted 911 call from a secluded vacation home and ends up on the run. From the opening scene (that'll keep even the bravest of you at home with the doors locked and the shades drawn), Deaver delivers a clever page-turner that reads like one of his tightly plotted and fast-paced short stories (fans should check out Twisted). Endlessly surprising (there is more than one jaw-dropping plot twist) and supremely gripping (two hours after cracking this stand-alone thriller, I came up for air and took a moment to shake the cramp out of my fingers), The Bodies Left Behind is one of the most entertaining thrillers of the year. --Daphne Durham
From Publishers Weekly
Usually a strong plotter, bestseller Deaver (The Bone Collector) fails to deliver on the promise of this stand-alone thriller's nicely creepy opening. When two masked men break into the isolated lakeside weekend house of Steven Feldman, who works for the Milwaukee Department of Social Services, and his wife, Emma, an attorney who may have stumbled on union corruption in the course of some corporate research, Steven has just enough time to phone 911 before the intruders shoot him and Emma dead. That interrupted plea for help brings Deputy Brynn McKenzie, who possesses a set of predictable emotional baggage (an abusive ex-wife, a troubled teenage son), to the scene. A protracted and less than suspenseful game of cat-and-mouse between McKenzie and the hired guns responsible for the murders ensues. A few twists will catch some readers by surprise, but the pacing and characterizations aren't up to Deaver's best. (Nov.)
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From Booklist
*Starred Review* Deaver, who has written one excellent thriller after another, is such a good puppet master that he makes us believe whatever he wants us to believe, even things that are false, without telling us a single lie. He practices misdirection through dialogue: a character says something he believes to be true, and so we believe it, too, without questioning the assumptions on which the character is basing his statement. A perfect example of how this technique can be used to perfection occurs in Deaver’s latest, in which Brynn McKenzie, a Michigan police deputy investigating a suspicious 911 emergency call, finds herself being pursued through the woods by a pair of killers. And when she meets up with a woman who is also being hunted, Brynn has two lives to protect, and precious few resources with which to do it. The novel, which in some places may remind readers of Barry England’s Figures in a Landscape (1997), is vintage Deaver: tightly plotted, with plenty of right-angle plot twists and pitch-perfect dialogue. It’s not until we’re well more than halfway through the book that we even begin to suspect that we might have made some dangerous mistakes, accepted certain things at face value merely because the characters in the book sold them to us so successfully—but by then, it’s way too late, and we are completely at Deaver’s mercy. --David Pitt
Most helpful customer reviews
49 of 52 people found the following review helpful.
Too Gimmicky; A Fast Start That Quickly Fades
By Brian Baker
What starts out as another of Jeffrey Deaver's signature murder thrillers quickly transforms into something else entirely, and unfortunately, not very successfully. It appears that Deaver was attempting to perform a riff on the 1924 Richard Connell story "The Most Dangerous Game" or Household's classic "Rogue Male". Think David Morrell's "First Blood" (later transformed into the first "Rambo" movie, Morrell credited "Rogue Male" as his inspiration): one resourceful individual being hunted in the wild by a tenacious and implacable foe.
Problems abound. First and foremost, the setup was for a terrific murder mystery/thriller, and that fell completely by the wayside, almost incidental to what turned out to be the main point of the book: the hunt in the woods.
Unfortunately, that hunt was simply incredible beyond words, to the point that it became almost cartoonish. The heroin tries to trick the villains; the villains figure out it's a trick, and counter her trick with ANOTHER trick; but she anticipates this counter-trick, and counter-counter-tricks, and...... SHEESH!
This was like a Roadrunner cartoon. All that was missing was the "meep meep!" soundtrack.
These people are all tromping around in a wilderness forest in the depths of darkness, no artificial lighting anywhere, only some moonlight; and yet they can see details such as footprints, small lost articles, and even each other at distances of two to three hundred yards... including what types of weapons they're each carrying!
Let me tell you something. When I was in the Army, I participated in night combat operations in the jungle, and you can't see diddley-squat without some kind of night-vision equipment. At best, if the moonlight's strong enough, you can make out ridgeline silhouettes against the lighter sky, but certainly no details. Definitely not with your unaided eyes at those ranges. And what about all those trees? Did they become transparent?
Anyway, when all of this is finally resolved - about ¾ of the way through the book - and we return to the original murder mystery, it is dispatched in the most perfunctory manner imaginable. It was almost an afterthought, as if Deaver was simply fulfilling an obligation to tie up the loose ends.
Too bad; not anywhere near up to his usual par.
85 of 96 people found the following review helpful.
Not Deaver's Best Work (to say the least)...
By A. Sheegog
As an avid Jeffery Deaver fan (not just his Rhyme series), I was supremely disappointed in his latest effort. Yes, it was kind of a fast read, but there are too many "are you kidding me?" scenarios - I have to agree with Barry's review on this page. It did start out pretty well - he always has an engaging first chapter. But the majority of the story takes place in the forest of a state park and Deaver writes in the book that there are tens of thousands of acres of dense forest and yet the killers and their prey (three of whom have never even been in this particular state park) know exactly where to go and what traps to set and then one of them knows it's just a set-up (each and every time - no joke). This goes on and on and on ad nauseum. After this played out the fourth or fifth time, I was like "Come on!". Oh, and did I mention that it's the middle of the night without a full moon? Hart and Comp could tell from TWO TO THREE HUNDRED YARDS away in almost total darkness that Michelle was using a pool cue as a crutch?! Totally unbelievable! Anyone familiar with Deaver's previous books knows he has a tendency to set up a scene one way where you think you know what's happened and then a couple of pages later he neatly explains how it actually occurred. I'm okay with that, but in this particular book, it's just too over the top, too far-fetched. The dialogue is wooden and stilted and his usual keen sense of description is seriously lacking. If I didn't see Jeffery Deaver's name on the cover of this book, I don't know if I would have even believed that he wrote it because it doesn't quite sound like his "voice". Pressure from his publishing house to crank out material = subpar work? This book was not scary, suspenseful, or thrilling. Read his early novels if you're looking for that - you will not be disappointed. I've never written a review before, but I was truly excited when I heard this book was coming out and feel very unsatisfied after reading it. It's kind of like when Patricia Cornwell has veered off the Scarpetta books and into a ditch...a waste of time and money. I am a voracious reader and this is probably only the second time in my life where I have come close to not finishing a book. Read at your own risk!
6 of 6 people found the following review helpful.
Don't waste your money
By CJ
I agree with many of the one and two starred reviews. Totally implausible, not even suspenseful. Aside from problems others have pointed out (dark moonless night in a huge state forest where everyone seems to be able to track everyone else), one of the most glaring inconsistencies is *** spoiler alert *** when Michelle, who we discover has been trying all night to let the pursuers know where she and the deputy are(setting off a car alarm, leaving cracker crumbs, etc), half strangles a 10 year old child to stop her from crying and yelling and - wait for it - giving away their position. Really - contrived from beginning to end.
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