Rabu, 29 April 2015

~~ Download PDF My Cat Hates You, by Jim Edgar

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My Cat Hates You, by Jim Edgar

Cat, in all of its incarnations, hates us. You, me, and most likely its creator, for subjecting it to the predictable species that is homo sapiens. As long as the food keeps coming so will the feigned loving. Cat needs us not and smirks at the very mention of the word domesticated. Any feline worth his whiskers will tell you he is more than capable of getting his own food and finding his own shelter. But hey, who doesn't like a free ride? Within these pages you will find that Cat has far less than your well-being at the forefront of his agenda...but then you always knew that deep down, didn't you, loser?

  • Sales Rank: #1505168 in Books
  • Brand: Brand: Touchstone
  • Published on: 2008-10-07
  • Released on: 2008-10-07
  • Original language: English
  • Number of items: 1
  • Dimensions: .61" h x 6.30" w x 6.08" l, .55 pounds
  • Binding: Paperback
  • 256 pages
Features
  • ISBN13: 9781416598374
  • Condition: Used - Very Good
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Jim Edgar is the genius behind this popular, cult website. When he's not administering his virtual cattery he works for Microsoft.

Most helpful customer reviews

11 of 11 people found the following review helpful.
A Great Gift For All Cat Lovers
By John Liosatos
Out of the mold of the Page-A-Day Bad Cat Calendar comes this wonderful paperback book from Jim Edgar. It's crammed with full-color photos of cats behaving badly, with hysterical hand-written captions under each picture. There are about 250 pages, with a cat or cats on each, doing what they do best, conspiring against the whole of humanity.

If you are looking for text, you won't find much in this book. The beauty lies in the lavish photos. In fact, save for the captions, the only text is the page and a half Introduction to the book, written by Jim Edgar, himself, in a rather tongue-in-cheek style. Even that is written in larger than normal print so it becomes a quick read.

Another favorable characteristic of this book is its size, a portable edition easily fit into your coat pocket to be carried anywhere you go. Enjoy cat pics on the bus, train, or even in your car when stopped at a light. Bring it with you to parties to impress your cat-loving friends... A must-have for all adorers of our little feline friends!

5 of 5 people found the following review helpful.
My Cat Hates you but she LOVES this book!
By Beth Wing
Another HUGE win for Jim Edgar!
This book is crammed full of hateful cats.
THe clever captions and the"caught in the act" Polaroid photo style make this such a fun book. It's great for cat lovers as well as cat haters.
Jim's anthropomorphic quotes really give us a glimpse of the personality of the beasts between the pages.

7 of 7 people found the following review helpful.
This guy cracks me up
By Richard Andersen
I read his first book and loved it. The publisher seemed to go off the deep end and rode the "Bad" concept into the ground. To bad for the Author
because he had a really good idea and title only to have to diluted. I still like this book its a good stocking stuffer for all my cat friends. It also makes a handy bathroom book to distract my cat from flushing the toilet.

See all 19 customer reviews...

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Sabtu, 25 April 2015

!! Fee Download Leading and Managing a Differentiated Classroom (Professional Development), by Carol Ann Tomlinson, Marcia B. Imbeau

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Leading and Managing a Differentiated Classroom (Professional Development), by Carol Ann Tomlinson, Marcia B. Imbeau

While most books on classroom management focus on keeping kids in their seats and giving good directions, here at last is a breakthrough guide that explains how to lead a class that is differentiated to individual students needs. The top authority on differentiated instruction, Carol Ann Tomlinson, teams up with educator and consultant Marcia B. Imbeau to outfit you with everything you need to deal with time, space, materials, groups, and strategies in ways that balance content requirements with multiple pathways for learning. Step-by-step guidelines, checklists, and a Teacher s Toolkit with ready-made classroom activities ensure that you master the nuts and bolts of managing a student-centered classroom.

  • Sales Rank: #28228 in Books
  • Brand: Brand: Heinle ELT
  • Published on: 2010-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.80" h x .90" w x 7.90" l, .90 pounds
  • Binding: Paperback
  • 185 pages
Features
  • Used Book in Good Condition

From the Inside Flap
Today's teachers are responsible for a greater variety of learners with a greater diversity of needs than ever before. When you add in the ever-changing dynamics of technology and current events, the complexity of both students' and teachers' lives grows exponentially. Far too few teachers, however, successfully teach the whole class with the individual student in mind.

In Leading and Managing a Differentiated Classroom, Carol Ann Tomlinson and Marcia B. Imbeau tackle the issue of how to address student differences thoughtfully and proactively. The first half of the book focuses on what it means for a teacher to effectively lead a differentiated classroom. Readers will learn how to be more confident and effective leaders for and in student-focused and responsive classrooms.

The second half of the book focuses on the mechanics of managing a differentiated classroom. A teacher who has the best intentions, a dynamic curriculum, and plans for differentiation cannot and will not move forward unless he or she is at ease with translating those ideas into classroom practice. In other words, teachers who are uncomfortable with flexible classroom management will not differentiate instruction, even if they understand it, accept the need for it, and can plan for it.

Tomlinson and Imbeau argue that the inherent interdependence of leading and managing a differentiated classroom is at the very heart of 21st-century education. This essential guide to differentiation also includes a helpful teacher's toolkit of activities and teaching strategies that will help any teacher expand his or her capacity to make room for and work tirelessly on behalf of every student.

About the Author
Carol Ann Tomlinson s career as an educator includes 21 years as a public school teacher. She taught in high school, preschool, and middle school, and worked with heterogeneous classes as well as special classes for students identified as gifted and students with learning difficulties. Her public school career also included 12 years as a program administrator of special services for advanced and struggling learners. She was Virginia s Teacher of the Year in 1974. She is professor of educational leadership, foundations, and policy at the University of Virginia s Curry School of Education; a researcher for the National Research Center on the Gifted and Talented; a codirector of the University of Virginia s Summer Institute on Academic Diversity; and president of the National Association for Gifted Children. Special interests throughout her career have included curriculum and instruction for advanced learners and struggling learners, effective instruction in heterogeneous settings, and bridging the fields of general education and gifted education. She is author of over 100 articles, book chapters, books, and other professional development materials, including How to Differentiate Instruction in Mixed-Ability Classrooms, The Differentiated Classroom: Responding to the Needs of All Learners, Leadership for Differentiated Schools and Classrooms, the facilitator s guide for the video staff development sets called Differentiating Instruction, and At Work in the Differentiated Classroom, as well as a professional inquiry kit on differentiation. She works throughout the United States and abroad with teachers whose goal is to develop more responsive heterogeneous classrooms.

Marcia B. Imbeau is an associate professor at the University of Arkansas, Fayetteville, where she teaches graduate courses in gifted education and elementary education. She is actively involved with university/public school partnerships and teaches in a local elementary school as a university liaison. Her professional experience includes serving as a field researcher for the National Research Center on the Gifted and Talented, elementary teaching in the regular classroom, teaching in programs for the gifted, and coordinating university-based and Saturday programs for advanced learners.

Imbeau has been a board member for the National Association for Gifted Children and has served as a governor at-large for the Council for Exceptional Children The Association for the Gifted Division. She is a past president of Arkansans for Gifted and Talented Education, a state organization that supports appropriate instructional services for all students.

Working with special education colleagues, she has coauthored "How to Use Differentiated Instruction With Students with Disabilities in the General Education Classroom" as a service publication for the Council for Exceptional Children. Her most recent publication may be found in Designing Services and Programs for High-Ability Learners.

Imbeau is a member of the ASCD s Differentiated Instruction Cadre, which provides support and training to schools interested in improving their efforts to meet the academically diverse learning needs of their students.

Most helpful customer reviews

25 of 26 people found the following review helpful.
great especially for new teachers
By jpl526
Being a new teacher this book was great at helping prepare for differentiation, along with how to sell the students and parents on it. There were some great activities to help explain why different students would do different work. The book also included tips on how to set up your classroom, supplies, duties, procedure tips, as well as pitfalls to avoid. I feel like I am ready to establish my procedures, get my materials in place and get everyone "on board" with our new learning style - now I just need the creativity to flow to determine what those different assignments will be (which were not a part of this book). The book encourages us to embrace a little productive noise, share the responsibility of learning with the students, and move away from the quiet, lecture style teaching many of us vision in a classroom.

4 of 4 people found the following review helpful.
Excellent and Very Useful
By John Branch
This book has a teacher toolkit in the back that justifies the book by itself. The material is very application oriented; only the theory when needed, otherwise it's all about implementation. Highly recommended!

4 of 4 people found the following review helpful.
Practical!
By T. Jackson
This book is great introduction to Differentiated Instruction. It is a practical easy read. You can realistically implement most of the strategies right away.

See all 15 customer reviews...

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Jumat, 24 April 2015

## Ebook Do the Movies Have a Future?, by David Denby

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Do the Movies Have a Future?, by David Denby

Received as an important work of one of our most important film critics, Do the Movies Have a Future? draws from a selection of the New Yorker writer’s published pieces over a dozen years to examine the art, business, and future of the movies.

In the second decade of the twenty-first century, the movies, once America’s primary popular art form, have become an endangered species. Do the Movies Have a Future? is a rousing and witty call to arms. In these sharp and engaging essays and reviews, New Yorker movie critic David Denby weighs in on the frenzied, weightless action spectacles that dominate the world’s attention and celebrates the films that re-affirm the importance of the movies in our national conversation. He assesses the triumphs and failures of legendary auteurs, examines the changing nature of stardom, and re-creates the excitement of reading film’s finest critics. Wry, passionate, and incisive, Do the Movies Have a Future? is an essential guide for movie-lovers looking for ammunition and hope.

  • Sales Rank: #1695612 in Books
  • Published on: 2013-10-22
  • Released on: 2013-10-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.06" h x .90" w x 5.87" l, .83 pounds
  • Binding: Paperback
  • 368 pages

From Booklist
Rhetorical questions such as the title of New Yorker movie critic Denby’s new collection always seem ripe for silly answers. But although Denby learned some jazzy stylistic chops from Pauline Kael, whom he recalls and mildly assesses late in this book, he isn’t a silly writer. He argues that American film studios’ fixation on presold blockbuster fantasy flicks based on comic books are making it harder to make adult dramatic films of any scale and for such films, even modestly scaled ones, to reach mass audiences. It’s a plausible fear, but this isn’t a book-length thesis. It’s a compilation of critiques corralled into sections on trends, indie films, stars, genres, directors, and critics. Denby writes a good journalistic style that engages and entertains regardless of whether it persuades anyone of the quality of the particular films discussed. Those date from 1999 to 2011 and are all American, as Denby warns us up front they will be. At least a newer foreign film is mentioned now and then in passing. --Ray Olson

Review
“A must for movie lovers” (Kirkus Reviews)

“David Denby’s work is learned, wry, quietly passionate, utterly absorbing and unfailingly intelligent – criticism as it is meant to be done and these days rarely is. Some of his pieces will, I think, stand as definitive for years to come. If movies have a future – and I think they do – it will be thanks in part to critics of Denby’s rare and demanding sensibility.” (Richard Schickel, film critic, author of Conversations with Scorsese)

“New Yorker film critic Denby’s fascinating collection of essays on the business, the art, and the sacred rituals of movie making and movie watching explores what part film plays in our collective consciousness, particularly in this new digital age.” (Publishers Weekly)

“This collection shows a superb critic at his best – thoughtful, probing, his breadth of cinematic knowledge gracefully dispensed. Crucial to me is how Denby constantly makes us aware of the context of movies – how the present plays off the past, and the ways in which it comes up short. Voicing the passion of many, this is a cri de coeur for what has increasingly become an oxymoron, Hollywood entertainment for adults.” (Molly Haskell, film critic, author of Frankly, My Dear)

“Throughout his essays, he builds a convincing case for his contention that ‘a healthy movie scene can’t exist without critics’… Recommended for informed film buffs.” (Library Journal)

About the Author
David Denby has been film critic and staff writer at The New Yorker since 1998; prior to that he was film critic of New York magazine. His reviews and essays have also appeared in The New Republic, The Atlantic, and The New York Review of Books. He lives in New York City.

Most helpful customer reviews

5 of 5 people found the following review helpful.
The State of the Art
By The Bibliophile
David Denby probably ranks as my favorite critic writing about movies these days, so I guess I shouldn't be too surprised that this book reads like a perfect reflection of my own thoughts on the past 15 or so years of American cinema. Denby isn't the breeziest or snarkiest of film critics. He's better: he's a thoughtful one, clearly passionate about the idea that movies actually matter, in people's lives and in our culture. Denby deftly explicates why film after film either works or doesn't, charting out the evolution of American cinema in recent years as the art form has been hollowed out by business interests and advances in filmmaking technology on a level unprecedented in the medium's history. In some ways it's a call-to-arms kind of book, and it gracefully manages to be both cautionary and celebratory. I hope its observations don't go completely unheeded, because if they do, we'll all be the poorer for it. Thanks for writing this book, Mr. Denby.

0 of 0 people found the following review helpful.
Splendidly Written and Both Quite Entertaining and Informative
By J. William Urschel
I have already highly recommended this book to several friends who are movie enthusiasts. I must admit that my inital reaction was more than a bit over the top enthusiastic, based upon the book's introduction, because the author quickly presented a great summary of the current state of the industry, the technology, and the audience, as well as the decades of growth (really regression) leading up to the present. And of course, what the author
accomplished, from my perspective, was to encapsulate both the "facts" and the spirit of what has happened, and what IS happening to the movies - a point of view just absolutely parallel to my own, but stated so knowledgeably and elequantly!

At this point, according to my Kindle statistic, I am 67% of the way through the book. And now, I feel there are times that the author goes on too long about certain stars or directors (most of the book is drawn from prior appearances in the New Yorker Magazine, where what appears by anyone is typically overwritten and just toooooooo long!), typically when my viewpoint diverges from his, which it often does. I admit to being appalled by his vaunted view of some who I have held in contempt for some time. But even here when I disagree the most, he has maintained my attention and interest. And for the most part, I must say that I am in agreement with him, and also certainly enlightened.

Of all the texts on movies which I have read in the last five years, this one is at the top of my list and recommendation!

0 of 0 people found the following review helpful.
Goes beyond reviews
By Timothy Jackson
Denby is a wonderful writer of film but he does something more here. The opening essay provides some great perspective on the current need for good film criticism beyond mere reviews. Two ideas are introduced; film is either too complex these days for thumbs up/thumbs down reviewing or secondly, too commercially compromised by corporate marketing formulas and genre writing. Writers need to encourage a broader perspective for a renewed and vital film culture. I think that's what the book does well.

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Vocab Rehab: How do I teach vocabulary effectively with limited time? (ASCD Arias), by Marilee Sprenger

All teachers know that a robust vocabulary gives students the communication skills they need to do well on tests and shine in the classroom--and the best way to ensure successful vocabulary instruction is to embrace new and engaging strategies that don't take too much time away from other work. To get the clock on their side and do what's best for their students, teachers need to learn how to provide short and effective vocabulary mini-lessons that can be used at any point during class. Marilee Sprenger's Vocab Rehab model offers teachers easy-to-implement 10-minute instructional strategies that can help time-strapped teachers ensure that their students have a sound grasp of both general and content-specific words across grade levels and subject areas.

  • Sales Rank: #186568 in Books
  • Published on: 2014-01-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .10" w x 5.08" l, .10 pounds
  • Binding: Paperback
  • 40 pages

From the Inside Flap
All teachers know that a robust vocabulary gives students the communication skills they need to do well on tests and shine in the classroom--and the best way to ensure successful vocabulary instruction is to embrace new and engaging strategies that don't take too much time away from other work. To get the clock on their side and do what's best for their students, teachers need to learn how to provide short and effective vocabulary mini-lessons that can be used at any point during class. Marilee Sprenger's Vocab Rehab model offers teachers easy-to-implement 10-minute instructional strategies that can help time-strapped teachers ensure that their students have a sound grasp of both general and content-specific words across grade levels and subject areas.

About the Author
Marilee Sprenger is a veteran teacher, education consultant, and author of the books Teaching the Critical Vocabulary of the Common Core, Brain-based Teaching in the Digital Age, Wiring the Brain for Reading, and How to Teach So Students Remember. She believes in teaching to the whole child and providing brain-compatible learning environments.

Most helpful customer reviews

1 of 1 people found the following review helpful.
A Must for All Teachers!
By Just Another Mom
I never thought I had time for vocabulary. It just didn't fit into my schedule and I didn't think a few minutes of focus on a word would make a difference. But the research is clear that even ten minutes a day or less can help create long term memories of the words my students need to learn. Sprenger has great strategies. The book is short and to the point. This book will have a spot on my desk, so I have it at my fingertips when I want to do a quick lesson.

1 of 1 people found the following review helpful.
Cheap and Priceless!
By Veteran Teacher
Short and to the point! Filled with great ideas for teaching vocabulary! I can now use my time to successfully teach vocabulary in just a few minutes! I didn't think I could impact my students with such short lessons, but research proves that it works.

0 of 0 people found the following review helpful.
Simple and sensible!
By Beth Keene
Simple, straightforward, and sensible. It is a short read, but easy to implement. I was encouraged to break some old habits and build new ones, i.e. don't dumb down language just for the sake of making it kid-friendly, but rather incorporate academic and higher level content specific language into instruction and help students transfer meaning, help them rise up. When they hear the language everyday, they will know it on the state tests, growing vocabulary and strategies simultaneously. No more copying definitions and memorizing. Write real-world definitions and use words in writing to increase true understanding and use of new words.

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Kamis, 23 April 2015

## Fee Download Falling Apart in One Piece: One Optimist's Journey Through the Hell of Divorce, by Stacy Morrison

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Falling Apart in One Piece: One Optimist's Journey Through the Hell of Divorce, by Stacy Morrison

Falling Apart in One Piece: One Optimist's Journey Through the Hell of Divorce, by Stacy Morrison



Falling Apart in One Piece: One Optimist's Journey Through the Hell of Divorce, by Stacy Morrison

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Falling Apart in One Piece: One Optimist's Journey Through the Hell of Divorce, by Stacy Morrison

The emotionally charged story of a divorce that brought the surprising gift of grace

Just when Stacy Morrison thought everything in her life had come together, her husband of ten years announced that he wanted a divorce. She was left alone with a new house that needed a lot of work, a new baby who needed a lot of attention, and a new job in the high-pressure world of New York magazine publishing.

Morrison had never been one to believe in fairy tales. As far as she was concerned, happy endings were the product of the kind of ambition and hard work that had propelled her to the top of her profession. But she had always considered her relationship with her husband a safe place in her often stressful life. All of her assumptions about how life works crumbled, though, when she discovered that no amount of will and determination was going to save her marriage.

For Stacy, the only solution was to keep on living, and to listen—as deeply and openly as possible—to what this experience was teaching her.

Told with humor and heart, her honest and intimate account of the stress of being a working mother while trying to make sense of her unraveling marriage offers unexpected lessons of love, forgiveness, and dignity that will resonate with women everywhere.

  • Sales Rank: #1067539 in Books
  • Published on: 2010-03-23
  • Released on: 2010-03-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .90" w x 6.12" l, .97 pounds
  • Binding: Hardcover
  • 256 pages
Features
  • ISBN13: 9781416595564
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review
“I loved the tone of this honest, thoughtful memoir: heartbreaking and real, without the slightest hint of self-pity.”

—ELIZABETH GILBERT, AUTHOR OF EAT, PRAY, LOVE AND COMMITTED

“Stacy Morrison’s memoir is as sweet as it is sad, both honest as an anvil and full of genuine hope. Morrison’s buoyant prose and hard-earned wisdom make the mess and roar of love, however difficult, all seem worthwhile.”

—Karen Karbo, author of The Stuff of Life: A Daughter’s Memoir

“I loved it. Raw, wonderful, honest, brash, truth-telling—Falling Apart in One Piece is a story about learning to let go and come to terms with the journey of life. It is a book for anyone whose life has just taken an unexpected turn and who needs to be reminded that not only can they be happy again, but that the human spirit is capable of great resilience.” —Lee Woodruff, author of Perfectly Imperfect: A Life in Progress

About the Author
Stacy Morrison is the editor in chief of Redbook magazine. Under her guidance, the magazine has found new vibrancy and relevance for today’s generations, winning a Folio award for General Excellence (2005), a Clarion award for General Excellence (2007), and a National Magazine Award nomination for Personal Service (2006). She has appeared as an expert on women, love, sex, money and more on the Today Show, CNN Headline News, CNN Moneyline, and The Early Show, among many other TV programs.

 

Before becoming editor in chief of Redbook magazine, she was Executive Editor at Marie Claire, working on the international advocacy projects, and had previously been the editor in chief of Modern Bride magazine and the venture-funded dot.com/magazine about design, One (which won three Ozzie awards in its short lifespan). She was also a part of the launches of Conde Nast Sports for Women, Time Out New York, and Mirabella magazine.

She lives in Brooklyn with her 4-year-old son, Zack, whose father is at the house many, many times a week.

Excerpt. © Reprinted by permission. All rights reserved.
1
We Begin at the End

I suppose I should start where it all started. Or, more specifically, started ending. The night Chris told me he was done with our marriage.

I can recall exactly what I was doing on the June evening this one-way conversation started: I was standing at the sink in the kitchen area of our one-room first floor, washing a bunch of arugula, my favorite salad green, pushing my hands through the cold water in the salad spinner to shake the dirt loose. I was looking out the window over the sink, marveling at the beautiful backyard of our Brooklyn home: an actual lawn, its bright green grass thick as a carpet; a wood deck; and a pergola with grapevines climbing over it in curlicue abandon. The yard was my favorite thing about our house, a house that we’d bought and moved into just five months before on a freezing-cold January day, when our son, Zack, was just five months old. Stationed in his bouncy seat on the floor in the empty living room, he’d watched with wide eyes as everything we owned was marched through the front door in big cardboard boxes.

I felt lucky to live in this house every single day, especially now that the backyard had come to verdant life. Every evening after I took the subway home to Brooklyn from my job in Manhattan, I’d pick up Zack as I walked in the door and nuzzle his soft, sweet skin, say my goodbyes to his nanny, and head out the back door and lie down in the grass while Zack crawled around. I’d stare up at the soft blue sky, drink in the smell of the green all around me, and think, I can’t believe how lucky we are. I cherished that skyward view: a simple pleasure that made me feel small in the best way, as if I were being cupped in the hands of the universe. Simple and small were antidotes to the way I had been living my life for so long, with a complicated, jam-packed schedule, forging a career in the larger-than-life world of magazine publishing. For me, small was new, and small was good. I finally felt ready to stop going at a dead run, as I had been for so long, to slow down and settle into being happy.

Making dinner every night was a new pleasure for me after years of takeout meals at home or at my desk. I looked forward to putting in the half hour of calming busywork that getting dinner on the table entails, once Chris had come home and was able to take Zack off my hands. I’d stand in the kitchen and feel my brain slowly empty of the zillions of details and to-dos that make up a day in the office as my hands took over, chopping peppers and onions into just-right dice, whisking a vinaigrette, and washing salad greens.

As I poured the water from the salad spinner down the drain that night, I was feeling grateful for everything in my life, but I couldn’t ignore Chris’s silence pressing against my back. Sometimes people are quiet in a room in a way that feels like company, but today, as with a lot of days in the last few years, and especially since Zack was born, Chris was quiet in a way that felt like an absence. I started to turn around from the sink, wanting to find a way to pull Chris back into the room. I was sure that when I faced the sofa my eyes would find Chris staring blankly into middle distance, ignoring our tiny son, who was playing at his feet. And that was exactly the domestic tableau I beheld. Chris didn’t turn to meet my gaze. Instead, as he felt my eyes come to rest on him, he let out a slow, pointed exhale.

I bristled, disappointed and annoyed. “Want to tell me what you hate so much about your life today?” I said, wincing inward slightly as the harsh words came out.

And so, still not turning his face, with its long, aquiline nose, huge blue-green eyes, and those full, pink lips I was delirious to call mine when we were first married, he said, simple as pie, “I’m done.” Then he sighed again, and turned slowly to look at me with a flat, empty gaze. “I’m done with this,” he said, gesturing with his hand to encompass our living room, our kitchen, our home, our son, our future, our dreams, every single memory we’d ever made together in our thirteen years as a couple, and me, suddenly meaningless me.

I felt my face go slack in shock as my vision narrowed to a tunnel centered on Chris’s blank face, and everything else went dark.

Done. Just like that.

From the day Chris made this pronouncement, I felt my whole life click into slow motion as the last moments of my marriage started to slip through the hourglass. Suddenly there was a time bomb ticking loudly in the middle of the house, threatening to smash my life—my family, my security, my entire identity—into unrecognizable bits.

I entered a kind of split-screen crisis mode, shuttling between a panicked search for solutions and the velvety comfort of hiding in denial as I tried to figure out how to defuse the bomb. My mind became a Japanese teahouse: orderly, quiet, with delicate sliding shoji screens to separate my conflicting needs, to make it possible for me to keep on keeping on when it seemed that my husband had just brought everything in our life to a dead stop. As I started to ponder the impossible whys of how he and I had found ourselves here, and the impossible questions of how I would begin again, I slid open and shut the shoji screens in my mind to hide or reveal, a little at a time, what I was feeling—the anger, the fear, the bottomless grief—so that I could keep myself from being overwhelmed by my emotions. In a hush, I tiptoed around Chris and I tiptoed around myself, afraid to glimpse my reflection in the mirror and see the fear in my eyes.

This talk of divorce was coming at a spectacularly bad time. I was the primary breadwinner in our family, and I had recently been fired from a job I loved. Chris and I were still learning how to be parents; our cherubic son was still an infant. We owned this lovely, but needy, house, and the big mortgage that went along with it. And I was interviewing for a big new job, the job of my dreams: taking the helm of Redbook, a huge national magazine that was all about women living their grown-up lives—and in no small part, their married lives.

The irony was as rich as buttercream frosting on a wedding cake.

In the end, I got the job. But I lost the guy. The life we’d built together over thirteen years began disassembling itself without my permission as Chris and I started the slow, hard work of breaking up. Then our house began falling apart, too, revealing breaches in the foundation and the roof that the house inspector, my husband, and I had all missed before Chris and I bought it—and, we would find out later, that the couple who sold us the house had maybe intended to hide. On my very first day as editor in chief of Redbook, torrents of water poured into the basement of the house. And the floods continued as September-hurricane rains worked their way up the coast and pounded the Northeast, forcing me to undertake a months-long renovation that led to the house’s foundation being jackhammered into bits. A few weeks later, the roof and walls of the house started to leak in three or four or five different places, depending on how the wind was blowing.

The symbolism of it all was undeniable: water flooded my house for months, as pain was flooding my life. The foundation of my existence was being rocked, as was the foundation of my house. Water followed me everywhere, and so did the tears. I was running a magazine about love and marriage just when everything I thought I knew about either was being put to the test. And I was reinventing that magazine at the same time that I was going through the incredibly painful process of reinventing myself.

And it got worse. I had to fire two full-time nannies in a row and so found myself scrambling to patch together child-care arrangements for Zack. And then there would be a beach house fire and the two emergency room visits, and all the heartbreaking ways in which my family and friends couldn’t give me what I asked for despite their best intentions, because they had to live their own lives, too.

I kept my best game face on at work, desperate not to show weakness either to my staff or to upper management as I spearheaded the magazine’s transformation. My friends marveled at how I was able to handle the pressure of the big job while I had such a young son. But the job was, in many ways, the easy part, even though it absorbed so much of my concentration and time: I knew that I knew how to run a magazine, and I trusted my skills and instincts at work. But I was just learning how to trust myself as a mother. And I had absolutely no idea how to handle the crisis in my marriage.

Had someone sent me a short story with a heroine living the events that were unfolding in my life, I would have rejected it for being facile and unbelievable. But this wasn’t a story, it was my life. And there was no way to get to the other side—of the divorce, of the house’s flaws, of my own weaknesses, which I’d spent a lifetime trying to ignore or exorcise—except to live through it all.

I know that on many days I watched my divorce unfurl from a safe distance, as if I were perched somewhere over my own shoulder, or standing just behind one of my mental shoji screens, my eyes peeled for the flashes of wisdom that would help me to begin to make sense of the end of everything I thought I knew about myself. Friends and family commented on my calm, wondering why I wasn’t angrier. But I didn’t want the heated blur that comes from anger. I wanted clarity. I wanted answers. And eventually I realized that anger—at my ex, at life, at God, at the house that leaked, the dishes that were dirty, the fate that would seemingly send me plague after plague until I started wondering if maybe I had been cursed—would keep me from feeling everything I needed to feel to be able to let go and be free.

That is just one of the lessons I learned on my journey through divorce. I ...

Most helpful customer reviews

22 of 24 people found the following review helpful.
Beautifully written, immanently readable
By Avid Reader
Falling Apart in One Piece is one of the most beautifully written, immanently readable books I have come across in years. The fact that it's a memoir brought the story to life for me. As I read, I marveled that the author not only survived the divorce with aplomb, but also managed to put pen to paper to write such an elegant, articulate, thoughtful memoir.

The writing is crisp yet powerful. I felt like I was there, living her experiences, even though I know after reading what this family went through that there is no way for one to feel like they were there. But Morrison brings the experience to life in a way that lulled me into thinking I lived it.

Not only is the story moving, but her observations -- about marriage, divorce, our reactions to them -- are spot on. I'm fascinated that one person could process everything that happened, and, at the same time, make sound social observations. The fact that Morrison can do both -- relay her personal experience, and bubble them up to a broader social context -- sets the book apart.

I've read other reviews where people say they couldn't connect with such an accomplished, financially-independent narrator as a "single mother", but it didn't bother me. The author is telling her story, and it's obvious that she earned her career successes and the accompanying spoils. The fact that she could afford a nanny or had parents who were able to loan her money does not detract from her story or the pain of her divorce. If anything, hearing such stark admissions of where her marriage failed from someone so accomplished reminds the reader that the grass is not always greener, and everyone's pain is their pain.

I'm already looking forward to her next book.

11 of 11 people found the following review helpful.
Good read whether you have gone through a divorce or not
By nashvillegirl
When I first got this book and skimmed through it, I had some doubts about the positive reviews I had read about it. My first impression was there there would be long, wordy passages that seemed almost to be more like a journal where the author is working out her feelings for her own benefit rather than a memoir meant for other people's eyes.

I'm happy to say that I was completely wrong. I really enjoyed this read. Morrison takes us through the years surrounding her divorce - from the time her husband announces that he is leaving, through the months that they're still together, supposedly trying to work on their relationship, the date her husband moves out, and the difficulties in being the one left behind with a child to raise. Meanwhile, she is still recovering from being fired from one job and obtaining a new, high-pressure one, a house that is falling apart in some respects, injuries to her child, and a disaster during the beach vacation she tries to take.

What really struck me most about this memoir is how Morrison managed to be completely honest about her feelings and situation with consistently falling into a "poor me" role. I felt like I could really understand how she must feel to be suddenly single in a group of marrieds, to be so anxious about the house, and in other emotionally-charged situations, but since she always takes action to address those problems, I always felt like she was making a huge effort to move forward. I also appreciated seeing how her relationship with her husband evolved and how she was finally able to look past the pain and admit to certain unworkable aspects of the marriage. At the end of the story, I felt like she offered hope, but still didn't sugarcoat how the divorce would continue to affect her.

One last thing - I don't think you need to be divorced, or married and worrying about divorce, to appreciate this book. I think Morrison's story would ring true with anyone that has gone through any kind of major life change that leaves a scar and forever changes you. I would highly recommend this read to anyone experiencing that kind of change.

10 of 10 people found the following review helpful.
Inside a divorce from a female perspective
By Hope T.
As someone currently going thru a divorce, I was curious to if this book would make me feel better or offer any advice. It did succeed and making me realize that there are common experiences and that I'm not the only one suffering over real or perceived injustices. The author is a good writer but to be honest, now that I've finished it, I can't really remember that much detail. It reminded me of reading a really long article in Cosmo or other magazine -- which might be appropriate since the author hails from the magazine publishing world.

Am I any better of for reading it? Meh. It was a quick easy read and it didn't suck but it's hard to recommend unless you're just really curious about the details of one person's perspective of going through their divorce.

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Selasa, 21 April 2015

# Free PDF Give Me Liberty: A Handbook for American Revolutionaries, by Naomi Wolf

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Give Me Liberty: A Handbook for American Revolutionaries, by Naomi Wolf



Give Me Liberty: A Handbook for American Revolutionaries, by Naomi Wolf

Free PDF Give Me Liberty: A Handbook for American Revolutionaries, by Naomi Wolf

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Give Me Liberty: A Handbook for American Revolutionaries, by Naomi Wolf

As the practice of democracy becomes a lost art, Americans are increasingly desperate for a restored nation. Many have a general sense that the "system" is in disorder -- if not on the road to functional collapse. But though it is easy to identify our political problems, the solutions are not always as clear. In Give Me Liberty: A Handbook for American Revolutionaries, bestselling author Naomi Wolf illustrates the breathtaking changes that can take place when ordinary citizens engage in the democratic system the way the founders intended and tells how to use that system, right now, to change your life, your community, and ultimately, the nation.

  • Sales Rank: #61510 in Books
  • Published on: 2008-09-16
  • Released on: 2008-09-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.31" h x 1.10" w x 5.37" l, .80 pounds
  • Binding: Paperback
  • 376 pages
Features
  • ISBN13: 9781416590569
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Most helpful customer reviews

103 of 113 people found the following review helpful.
Its about time ...
By Yvette Erasmus
It is about time that the subject of liberty, justice, and the silenced American Rebel was brought to public consciousness and discussion in this way. Many Americans are longing for a restored understanding of what true democracy looks like and means, and in this book, Wolf persuasively shows what can happen when normal people, ordinary citizens like you and I, truly engage in the democratic process as originally intended, and how we can use the system in every aspect of our lives and politics. I highly recommend this book for a clear, well thought out, intelligent approach to key issues facing our government and governance today.

71 of 77 people found the following review helpful.
Mandatory Reading for Every American Citizen!!
By L.G
I read Give Me Liberty cover to cover in one sitting. It's scary. We should all be very concerned about the increasing loss of American liberties Naomi Wolf so eloquently writes about. Raising awareness is the first step and Wolf did this beautifully in the best-selling The End of America. What makes Give Me Liberty different and even more powerful is that while it reminds Americans that we are in a precarious political moment, it also reminds us that all of us - you, me, the next door neighbor, our teachers, our students, our mothers and fathers - the everyday citizens going about our lives are powerful and influential agents that can, and should take action. Wolf writes, "history shows that when an army of citizens, supported by even a vestige of civil society, believes in liberty -- in the psychological space that is "America" -- no power on earth can ultimately suppress them."

What I loved best about Give Me Liberty is that it shook me out of my apathy and motivated me to believe again not only in the psychological space that is America, but in the idea that I could actually do something to protect my own freedom and the freedom of the people I love. Wolf's book is timely. It is engaging. It is passionate and it is mandatory reading for every citizen who cares about America and considers themselves a patriot. We need to reestablish our civil society based in liberty immediately and Wolf clearly shows us, step by step, how to do this. This book - this call to arms - should be a staple in our schools and required reading for every American citizen.

2 of 2 people found the following review helpful.
Are ya ready ??
By XrayCow
Many "sheeple" may find this book full of conspiracy theories or libertarian style rhetoric but, if you are at all informed about the goings on in America you will be both appalled and captivated by this book ! The nice thing about this books' author is that Ms. Wolf is a LIBERAL !!!! She spells out exactly what is going on and how it has all come to fruition for these authoritarian tyrants who run this country . The book outlines in detail how America has become a police state and how our rights and freedoms have been and are being infringed upon . TERRIFIC READ !!! Kudos to the author , Ms. Wolf I SALUTE YOU !!!

THIS IS A MUST READ !!!!

"Don't blame me , I supported RON PAUL !

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> Download PDF Spiritual Astrology: A Path to Divine Awakening, by Jan Spiller, Karen McCoy

Download PDF Spiritual Astrology: A Path to Divine Awakening, by Jan Spiller, Karen McCoy

This publication Spiritual Astrology: A Path To Divine Awakening, By Jan Spiller, Karen McCoy is expected to be among the very best seller book that will certainly make you really feel pleased to get and also review it for finished. As known can typical, every publication will certainly have specific points that will certainly make a person interested so much. Also it originates from the author, type, content, or even the publisher. Nonetheless, lots of people additionally take guide Spiritual Astrology: A Path To Divine Awakening, By Jan Spiller, Karen McCoy based on the motif and also title that make them surprised in. as well as right here, this Spiritual Astrology: A Path To Divine Awakening, By Jan Spiller, Karen McCoy is very recommended for you since it has interesting title as well as style to check out.

Spiritual Astrology: A Path to Divine Awakening, by Jan Spiller, Karen McCoy

Spiritual Astrology: A Path to Divine Awakening, by Jan Spiller, Karen McCoy



Spiritual Astrology: A Path to Divine Awakening, by Jan Spiller, Karen McCoy

Download PDF Spiritual Astrology: A Path to Divine Awakening, by Jan Spiller, Karen McCoy

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Spiritual Astrology: A Path to Divine Awakening, by Jan Spiller, Karen McCoy

With more than 100,000 copies in print and now completely revised and updated, Spiritual Astrology is a simple yet complete astrological guide to understanding life’s higher purpose and finding the key to your personal

• Self-expression

• Self-worth and emotional security

• Independence and freedom of spirit

• Emotional ecstasy

• Self-mastery and personal power

Spiritual Astrology’s breakthrough—the startling rediscovery of the importance of the solar and lunar eclipses occurring just before one’s birth—reveals the lessons you came here for, and provides a revelation to anyone who has ever looked to the zodiac for guidance.

  • Sales Rank: #235227 in Books
  • Brand: Unknown
  • Published on: 2010-06-29
  • Released on: 2010-06-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .80" w x 6.12" l, 1.06 pounds
  • Binding: Paperback
  • 448 pages
Features
  • Spiritual Astrology: A Path to Divine Awakening

Review
"Full of metaphysical pizzaz for the novice and sound, practical data for the expert. The eclipses provide a celestial stethoscope so you can listen to your astrological heart."--Joyce Jillson, author of "Lifesigns"

"Here is a chance for us astrology fiends to explore the mysteries of eclipses and get a fresh perspective on why we might all be here in the first place. Congratulations to Spiller and McCoy for boldly going where few people have gone before."--Michael Lutin, author of "Made in Heaven" and former astrology columnist for Vanity Fair

"The discovery of prenatal conditioning is an all-important clue to understanding an individual's life patterns. Spiritual Astrology is recommended reading"--Jeanne Avery, author of "The Rising Sign" and "Astrology and Your Past Lives"

"Finally astrology has a comprehensive explanation for prenatal eclipses as well as a spiritually insightful view of the planets. Highly recommended for anyone interested in group karma and personal purpose."--Philip Sedgwick, author of "The Astrology of Transcendance"

About the Author
Jan Spiller is a faculty member of the American Federation of Astrologers and the author of three bestselling astrology texts: Spiritual Astrology, New Moon Astrology, and Astrology for the Soul, as well as a new book, Cosmic Love. Well-known in the astrology world, Jan has has hosted her own local television and radio shows: Ecliptic; The Good Life; and the nationally syndicated, daily radio show: Astrology Education Now. Currently, Jan writes a monthly column in Dell Horoscope Magazine (the largest astrological publication in the world), and runs her web site www.janspiller.com which logs about 270,000 hits a day. Jan recently completed the first season of The Jan Spiller Show - a live, call-in advice broadcast in which she responds to listeners' questions about astrology and reads their charts to empower them with objective knowledge to help them guide their lives.

Karen McCoy is a third generation astrologer who has dedicated over thirty-five years to teaching and assisting people to integrate the emotional, physical and spiritual aspects of themselves. Her astrological practice is international and includes several thousand clients. She is also a nationally recognized author and public speaker on astrology, motivational and metaphysical subjects. Karen has served on the executive board of advisors and as past president of the South Florida Astrological Association, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Rose Woodruff
Thank you!

18 of 20 people found the following review helpful.
cleared a lot of issues for me and my family and friends
By lalala
I first bumped into this book many years ago, while browsing shelves at B&N. I was a bit confused then, since I always knew I was a Taurus and knew the attributes of this sign. According to this book I'm a Pisces. I would've been happy and relieved hadn't it been for the fact that it all sounded too good to be true.
Everything that I always admired in other people of the Piscean type I thought was unattainable to me. Now I realize that it happened because I was only looking at the negative sides of my personality and wasn't developing the positive once, since I lacked the understanding of my destiny. So i went on living as I did before, thinking of myself simply as someone born under the sign of Taurus, thinking that I need to be practical and down to earth, meanwhile finding it very difficult dealing with practicalities of life... When this book once again landed into my hands a few months ago, I looked at it with fresh eyes and finally understood what the north node astrology is all about. It helped me let go of the guilt and allowed me to accept myself like never before in my life. It helped me concentrate on my art more fully and with abandon, since after studying this book, I realized that it is my soul's mission to express what tries to get expressed through my paintings. Before I though of myself as someone who is self-indulgent and lazy and had a tremendous amount of guilt, which couldn't stop me from painting all together, but stopped me from devoting myself to it wholeheartedly and carrying over the benefits of it into everyday life, ripping financial benefits. I'm much more relaxed now about not fixating on mundane things in life and in general more open and in tune with my higher self. I don't feel bad anymore about not holding a regular job and my husband and kids are much better off because of that too. It also helped my friends and family members to understand themselves better, to get in touch with their inner selves, and realize where their challenges in life are coming from and how to deal with them. A few of them immediately after me ordered this and other books by Jan Spiller. I can't recommend Astrology for the Soul enough. It's one of those rear books that are changing people's lives.

7 of 9 people found the following review helpful.
Great book but it has an unforgivable misprint
By Thomas Carroll
I love the book. It is explaining so so much about myself on a level I could never explain or articulate myself, though I have noticed all of these things about me before. Truly mindblowing, but you have to get your chart done (which is free on the author's website) and figure everything out with the help of the book. It isn't hard, but I just want to re-iterate that you cannot just open the book and read it. You have to do your part.

NOW......................get ready for the scary part. In one of the first pages of the book, that shows you which astrological sign is denoted by what symbol..........the one for Cancer.....is wrong. In it's place is the symbol for Taurus. I was confused because there was a symbol in my chart I didn't recognize (Cancer), so I looked up the symbols online.

I mean.....it really makes me not trust the author/editor/publisher. It does not reflect well at all. Okay, maybe because it's something as simple as the basic symbols, maybe they glossed over it because they've seen it so many times and are used to dealing with it. But still, no excuse. This is supposed to be the Revised Edition!!!

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> Download Ebook In the Convent of Little Flowers: Stories, by Indu Sundaresan

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In the Convent of Little Flowers: Stories, by Indu Sundaresan

Now in paperback, internationally bestselling author Indu Sundaresan presents a poignant collection of contemporary short stories about the challenges and consequences faced by women in Indian life today.

Like Jhumpa Lahiri’s Interpreter of Maladies, Indu Sundaresan’s In the Convent of Little Flowers gives readers an eloquent and illuminating collection of stories about contemporary Indian life, exploring the cutting-edge issues that surround the clash between ancient tradition and modernity. In the collection’s title story, a young woman adopted by an American family in Seattle receives a letter from Sister Mary Theresa, a nun at the Convent of Little Flowers in Chennai, where she stayed as a child. Unbeknownst to the Indian woman, the nun is her biological mother’s sister. In another story, the grandmother of an Indian journalist begs her grandson to intervene and stop a young widow from being burned alive. And when a teenaged daughter bears a child out of wedlock, her entire family is thrown into turmoil. With their lush prose, vividly rendered settings, and complex characters, these and the other stories in this elegant collection bring readers into the experience of Indian women at home and abroad, where modernity offers them lives their grandmothers could never dream of, while at the same time taking away parts of their history. With a delicate touch, Indu Sundaresan weaves the pieces of the conflict together, presenting a nuanced and unforgettable tapestry.

  • Sales Rank: #865902 in Books
  • Brand: Sundaresan, Indu
  • Published on: 2009-09-15
  • Released on: 2009-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.00" w x 5.31" l, .45 pounds
  • Binding: Paperback
  • 240 pages

From Publishers Weekly
Sundaresan (The Twentieth Wife) bluntly questions how evolved the globalized world truly is in these stories of individuals trapped between India's archaic traditions and blitz into modernity. In Three and a Half Seconds, Meha and Chandar's arranged but loving marriage blossoms regardless of the unease they feel regarding the violent peculiarities of their son, Bikaner. As their humble but hard working lives wind down, they become victims of abuse in the home that they share with Bikaner and his wife. In The Faithful Wife, Ram, a journalist, is called home by his grandmother to intervene in a sati, the immolation of a widow on her husband's funeral pyre. The widow in this case is a 12-year-old girl. Finally, in Hunger, two women re-evaluate their own worth as well as their own definitions of love and happiness. The stories are sobering, all the more so for Sundaresan's nuanced character work and blistering social critique; she doesn't pull any punches in her heartbreaking and sometimes repulsive portrayals of oppressors and victims. (Dec.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Indu Sundaresan is the author of four novels, including The Twentieth Wife and The Feast of Roses. Born and raised in India, she now lives in Washington State.

Excerpt. © Reprinted by permission. All rights reserved.

Shelter of Rain In my childhood
Deep equator skies
Whitened by an unforgiving sun
I stand now
Under the shelter of rain

I arrive at SeaTac airport early, two hours ahead of time. The terminal is deserted now, with yawning, shiny seats. After I sit, a little girl and her mother come to settle across from me, although empty places stretch to the far corner and, I think, around. The girl carries a sand bucket, which she sets down on the well-trodden carpet. Then, with a spade, she scoops imaginary sand in and out of the bucket. I watch the child's face, her cheeks puffed in whistleless concentration, her hair cut in little-girl bangs, her arms sturdy in a summer frock's sleeves. I was once like this girl -- but also so different. I played in the red earth under the shade of a banyan tree, the mud coloring my palms for weeks. I had forgotten those days. But the letter came out of nowhere, with no warning, to remind me.

As I shift in my seat, the letter crackles against my leg. I take it out of my jeans pocket and smooth it over a knee. The paper is rough, unfinished, torn out of a child's handwriting practice notebook; there are sets of four lines throughout the page, the top and bottom ones red, the inner two blue. It has been so long, yet I remember the exhortations to fit capital letters between the red lines and small letters between the blue. That was how, all those years ago, I learned to write. I look again at the paper, and the blue ink swarming over the page swims into a haze.

Since the letter came a month ago, I have thought of nothing else. An envelope blue as my mother Diana's gaze lay on the kitchen counter for that time. In it, looped in an old, educated hand, words blurring before my now often-tired eyes, there is the story of another mother. The letter says she gave birth to me, not Diana. She lies sick in her house on Chinglepet street in Chennai.

A map of India has taken up permanent residence on the dining table at home. I could see the map through the corner of my eye no matter what room I was in. I knew I came from that country, twenty-three years ago, but I had not known from where. The letter told me where. It came from the Convent of Little Flowers in Chennai. We have always had beautiful young girls here. Girls whose mothers could not keep them, dear Padmini. I hope that is still your name. It means the lotus flower. All our little girls have been named thus, after flowers. You came to us with that name. Your mother gave you the name. I am sure you have grown up to be as beautiful as the serene lotus in a village pond.

Tears come each time I read those lines. How dare she -- Sister Mary Theresa -- write me after so many years? I was six when Tom and Diana Merrick took me from the Convent of Little Flowers. They have never been back to India since. And neither have I. Now I am no longer that child who left.

There is a faded black-and-white picture in one of Mom's photo albums. Diana, I mean, not the woman on Chinglepet street. In it I stand with an expression so scared, so beaten, I cannot recognize myself. The picture was taken two weeks before I left India. My feet are bare, my hair in a braid swings over one skinny shoulder, a new white frock sprayed with purple flowers billows over my knees. I remember I hated the day of the year when the frocks came. I do not look at that picture very often. And yet this Sister Mary Theresa, Mother Superior, talks of it and brings back the sun-drenched mud courtyard in the shadow of the Gemini bridge. Your mother would send frocks for you on every birthday. Somehow, she always knew the right size. For your sixth birthday it was a sleeveless white frock printed with purple lilacs. Have you seen a lilac blossom, Padmini? Your mother liked flowers. Believe me, the dress each year was more than she could afford to do then. Her circumstances had changed, questions would have been asked, but she was brave, she always remembered.

I volunteered to go on call every week after the letter came. My colleagues stared at me in disbelief at first, then escaped thankfully to their suntan lotions and backyards. But I did not care. If I was going to stay awake anyway through the July nights, I might as well keep my mind numbingly occupied. The ER at Harborview is not the place for dreaming of old memories, just brief stunning reflections of how stupid people can get when it comes to injuring themselves. I spent eight hours in surgery one memorable day trying to stitch a twenty-three-year-old man's hand back to his forearm while across the table from me, the ophthalmologist on call worked in tandem on his blown-out right eye. He had tried to pick up a lit cherry bomb.

Yet for me, there was always time to think of the letter. My mother always remembered, Mary Theresa says. But she never remembered to visit. Did she ever come? Did I know her when she came? Or did she just stand on the white-washed verandah and watch me play under the shade of the many-armed banyan in the courtyard?

That memory comes back too. One I do not want. One I try to hold away. But once dredged up, it is here to stay. Why did that letter come? Damn Sister Mary Interfering Theresa. I suddenly remember her too. Short -- even to a child she seemed so -- with kind black eyes behind thick glasses. Soda Booddies, we used to call them. Soda bottle glasses, disfigured by thickness. Mary Theresa had a plump face, spotted by an unrepentant and errant not-yet-eradicated smallpox. Yet her starched white wimple and her wide smile and her gentle hands that never held the neem tree-child-beating branch made us oblivious to it. But we talked under that banyan. She must have joined the convent because no man would marry her. A smallpox-pitted face is not exactly marriage market material. She was also dark. Even as six-year-olds we knew those things. What a pity, we would think, she would have made a wonderful mother. And we would turn yearning glances to the verandah when she appeared, each of us thinking, make me your child, don't be mother to everyone.

Sometimes Mary Theresa would walk down the verandah doing her day's work. Sometimes -- very often, actually -- she would stand with a woman or a man from the outside and point toward our group, or another one. We were far enough away not to know whom she was pointing at. But we knew that man or woman was either one of our parents or a relative come to see us, or, as we often hoped, someone who would make us theirs. It would be a bizarre game for us, watching these people -- perhaps related to us by blood, perhaps judging us as their future children -- trying to guess whom they belonged to. Sister Mary says my mother always remembered. Did she also come to stand on that verandah? Which one was she?

It never bothered me then. I wonder why it bothers me now. No one has pointed at me for twenty-three years from across a dusty courtyard.

I came away from that hot city to rainy green Seattle. Tom and Diana lived in a golden western sun-lit condo on Queen Anne Hill. Everything about those three words excited me. Queen. I had seen pictures of one. Anne. The name of a queen. And hill. I had not seen a hill before. Chennai, Mary Theresa tells me now, is flat. I had not seen mountains feathered with wayward snow on October evenings. I had not seen the sun set behind the Olympics or the ferry making its lone streaking way through the calm Puget Sound. Or Mount Rainier, glorious godly Mount Rainier, suddenly appearing on the horizon. For months, I knelt before the windows of our home (how easily the our comes now) and watched the sun set each day. I remember Dad, shattered in Vietnam -- not from bodily harm -- yelling out at night and Mom soothing, crooning, holding him in her arms, lit by the streetlight outside the windows. I would stand at the door to their room and watch until they called me to their bed to lie between them. Until then I had only seen little flowers cry at night, not grown men.

My life since has been peppered by Seattle rain. Rain in the winter -- hardly had that in Chennai -- rain in the spring, and summer and fall. Chennai is very close to the equator. It must be hot. I remember now it is hot. Is that why I love the rain?

I did not choose this life. I did not even choose to be born, let alone to this nameless woman in the southeast corner of India. I did not choose to be given away, or be taken by the sunny blond couple who stood on the verandah one day and, I think, pointed at me. But they took me. I came here. I belong no more to Chinglepet street.

I don't think I have ever realized I am different. I cannot say not American, because what really is American? But I look into the mirror more often now and I see that dark skin. To me it seems as dark as Sister Mary Theresa's, yet I am married where she took the veil for hers. Autre temps, autre moeurs. Sister Bloody Mary Theresa. I am so angry I will not even now allow her the luxury of having chosen then a life for the love of her religion, for the love of her God, or even, for the love of her work. It must be because somebody rejected her. Or she would not be a nun at the Convent of Little Flowers. And I would not have met her, and she would not have now written me the letter. Do you remember much of us, dear Padmini? The convent was built in the shadow of the Gemini Flyover, the only road bridge in all of Chennai then, and a big landmark for giving directions. I have seen pictures of America. There are many many such flyovers there. Some even in the shape of clover leaves. But this you must know, these you must have seen. I'm afraid nothing much grows even now in our courtyard. It is still the same, a bare maidan, dusty when the rains do not come; but under the banyan it is shady. The tree has added a few more arms to the ground since you were last here. Every day I stand on the verandah and watch the children play under its shade and thank God it i...

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15 of 15 people found the following review helpful.
In the Convent of Little Flowers Review
By Pooja D
"IN THE CONVENT of LITTLE FLOWERS" (Atria Books; ISBN: 978-1-4165-8609-8) is a compilation of impressively elegant short stories by Indu Sundaresan.
She skillfully with utmost confidence takes the reader on a journey to the ancient culture, the unique diversity of India- its age old traditional rituals while at the same time making the reader question them and ponder over their hold on its inhabitants. The readers are introduced to compelling array of characters that are unforgettable, each is a portrait painted adeptly and even with their flaws and complexities are treated with respect by the author. The characters are struggling under the weight of thousands of years of ingrained beliefs and teachings on class, caste and sexuality- as it challenges their today's modern view, hopes and dreams. Thus the foregoing conflict within themselves and for their place in the 21st century India which influenced by western modernity cannot totally accept the age old practices or let go of their sway on them.

All the nine stories in this collection explore the intricacies of relationships between friends, neighbors, sisters, husband-wife, grandparents and children-societal ties; their deep roots, their connections to past. It is interesting to note that the names of characters that people these pages are also taken from the Indian mythological legends with consequences in present day.

In "Shelter of Rain," Padma, the American raised Indian adoptee prepares to meet her guardian nun from the orphanage 'Convent of Little Flowers'. Indu's evocative prose effectively opens our hearts to the conflict going on in the protagonist's mind and heart.

"Three and Half Seconds" story about unforgettable characters of Meha and Chander. Meha during the evening of her life reflects on the devastating consequences of giving in to their child's every want and turning a blind eye to the early warning sign. This story may be the most disturbing as the reader can identify with the helplessness of society-neighbors bound by belief of non interference.

"Fire" is a powerful story of obsessive destructive love; the power of money and the name of tradition to silence all wrongdoings. Payal, makes the most difficult journey to her childhood home to confront these issues.

"The Key Club" is formed when the eight richest, powerful men of Chennai realize that there is something which their wealth cannot give them. Sundaresan cleverly weaves in the story the main character Ram's longing for his best friend's wife who was the college sweetheart he left as she was not up to his financial stature...was of lower class.

"Bedside Dreams" is a tale of heart break of a loving couple who are sent to the retirement home by their 12 sons. The narrator of this story Kamal's wife wonders if things would have been different if their eldest daughter had lived. Indu Sundaresan impressively drives home the point when the narrator says "We had fought, at one time, so long ago, for our country's freedom, but it simply hurt too much to fight for ours. That had been easier."

"The Most Unwanted" is a riveting story about a child born out of wedlock and his grandfather's agonizing dilemma.

"The Faithful Wife" depicts the most ghastly evil `the practice of sati' and examines the influence, authority of a ritual when a woman asks her journalist grandson to come to the village, to persuade his grandfather to stop the illegal outlawed practice of `Sati', where the community is about commit the horror...force a twelve year old widow to burn alive in name of the ancient tradition.

IN THE CONVENT of LITTLE FLOWER stories are mostly drawn from real events or as Indu says in her afterword, "Everything triggers a thought, some thinking and sometimes this develops into a story," She adorns them beautifully with her creative flair, her hauntingly lyrical style enthralls and the poetic prose moves the reader so much that one becomes part of the narrative. The reader is left pondering with some answered and some unanswerable questions.

I highly recommend this book to all and give thumbs up to this engaging collection of stories.

About the Author: Indu Sundaresan was born and raised in India, but immigrated to United States for graduate school. She is critically praised and popularly loved for her brilliant historical novels. She is the bestselling author of The Feast of Roses, The Splendor of Silence and the Twentieth wife (2003 Washington state award). The Splendor of Silence is the heartrending tale set during 1942...waning of British era. The Twentieth Wife and The Feast of Roses (sequel) are based on the life and power of Mughal empress Nur-Jahan.

Indu currently resides in Redmond, Washington.

By: Pooja Deshmukh

7 of 7 people found the following review helpful.
In the Convent of Little Flowers
By Amazon Customer
Indu Sunderesan's new book, "In the Convent of Little Flowers," is a collection of short stories set in a more contemporary time than her previous works. Set mostly in India, the stories touch on topics still somewhat taboo to mention or acknowledge in Indian society. The writing style is so vivid, it makes you feel as if you are a part of the story and you end up thinking about the events long after you have put the book away. I would recommend this book unreservedly and look forward to her next one.

4 of 4 people found the following review helpful.
From S. Krishna's Books
By skrishna
I am a huge fan of Indu Sundaresan's work. She has written three historical fiction novels; two are about Empress Nur Jahan (The Twentieth Wife and The Feast of Roses) and one is set in India during World War II and the Indian independence movement (The Splendor of Silence). All three are wonderfully written novels that any fan of historical fiction should pick up immediately.

When I heard that Ms. Sundaresan had a short story collection coming out, I eagerly sought the chance to obtain a review copy and was thrilled to receive one. I didn't know what to expect, but I knew that they would be amazing stories. And I was right; the stories are very different from her historical fiction work, but they evoke the same emotion within the reader.

The stories in In the Convent of Little Flowers are simply written and utterly beautiful. Some are very emotional; others are horrific (after reading the story about a son who is abusive to his mother and father, I called my own parents immediately, in tears). Each has its own quality that recommends itself to the reader. As such, there is not one bad story among them, not one lesser tale. That is quite a feat for an author, to write stories of such depth and magnitude that they are all equally moving.

All of the stories are about Indians. The majority of them are set in India, though not all. There are classic stories that people of any culture can relate to, stories about love lost between a husband and wife. But there are also stories that are appalling, that make the reader want to weep - the tale of bride burning is one of these. Each story has its own force that propels it forward. Not once did I want to put down the book, to move onto something else. Usually, I read other novels between the breaks in short stories. That wasn't the case with In the Convent of Little Flowers; I just wanted to continue with the stories, to see what Sundaresan would come up with next. With many of the stories, I wanted more. I would love to see some of them fleshed out as full novels, especially the tale of Padma and her feelings about the truth of her adoption.

I highly recommend all of Indu Sundaresan's work, and In the Convent of Little Flowers is no exception. It is a beautiful and moving set of short stories that I think anyone would enjoy.

Thank you to Ms. Sundaresan and her publicist for sending me a copy of this book to review.

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